LCDQ Legends 2019: Everything Designers Need to See
May 2, 2019
LCDQ Legends, the relatively brief but densely packed celebration of the Los Angeles interior design community, is coming up next week.
Who better than Peter Shire, a Los Angeles native, irreverent creative force, and the lone American originally affiliated with the Memphis Group, to catalyze a discussion about the relativity of taste? Interior designer Oliver M. Furth and Sean Yashar of communication agency The Culture Creative will present "Peter Shire: Good Taste" at the Farrow & Ball flagship showroom. Shire, Furth, and Yashar will offer an artist and curator tour of the installation on Tuesday, May 7, at noon.
T Suggests: Perfect Quilts, a New (Affordable) Design Fair and More
New York Times Style Magazine
April 19, 2019
The artist Peter Shire’s rainbow-colored abstract sculptures often sell for more than the price of a modest car. But at Echo Park Pottery, his ceramics studio in Los Angeles, he also makes chunky, colorfully glazed mugs that go for under $100. Pieces from both parts of Shire’s practice will be for sale in New York next month at the new design fair Object & Thing, whose founder, Abby Bangser, a former artistic director of the Frieze art fairs, hopes to “break down the hierarchy between art and design objects by exhibiting everything equally together.”
The Memphis Group’s Peter Shire Just Wants to Feel Great All the Time
September 13, 2018
My joke is that, in one of my lectures, I should come out in a coffin with my hand over the edge, pop up and go, “I’m baaaaack.” Memphis is one of the most important design movements of the 20th century. It’s not that it’s having a resurgence: It never went anywhere. Everybody involved has been keeping the flame. It’s not only an ongoing history, but it’s an ongoing part of history. Maybe it seems like it’s come back to the people who’ve just found it.
Interview with Peter Shire
Peter Shire, the only American member of the Memphis group in the 1980s, has been working out of his Echo Park atelier for decades, producing huge numbers of colorful artworks that blur the line between domestic objects and abstract sculpture. His work was the centerpiece of the Los Angeles Olympics in 1984. Recently, he received well-deserved recognition for his shows at MOCA in 2017 and at Kayne Griffin Corcoran gallery this year. We met him in his massive studio on Echo Park Avenue.
Inside the Whimsical World of Peter Shire's L.A. Home and Studio
August 30, 2018
Every morning, L.A.-based artist Peter Shire starts his day with a cup of coffee he makes here in his studio, a ritual he regularly extends to his studio staff—and anyone who visits. Any guests lucky enough to partake will find themselves surrounded by canoes strung from the ceiling, stacks of ceramic sculptures, and white open shelves filled with colorful mugs.
A nostalgic look inside Memphis Group artist Peter Shire’s wonder-filled LA studio
June 29, 2018
Shire was born in 1947 in Echo Park. His mother was a fourth-generation Californian and his father was a talented illustrator and carpenter. He yearned to be an artist from a young age, and later enrolled in the famed and now-defunct Chouinard Art Institute – although he was initially rejected from art school. ‘I am a maker of things, a hand-skills guy, so ceramics was my romantic vision. I wanted to be a potter wearing funky sandals and an apron,’ he told the Los Angeles Times in 2007.
Peter Shire and Izabella Scott
Peter Shire’s splash mugs, scorpion teapots, and Big Sur sofas are at the intersection of craft and industrial design. Their palette is sun-bleached – peachy, pink and lime – an aesthetic drawn equally from Art Deco, Bauhaus and his native Echo Park, LA. He trained as a ceramicist at the Chouinard Institute and then opened his own studio in 1972. It was f ive years later that Ettore Sottsass, founder of the Memphis Group of Design, sought Shire out and invited him to Milan. In the following years, Shire’s Brazil table (1981) and Bel Air chair (1982) were to become iconic Memphis pieces, an aesthetic splice of Space Age architecture, Milanese craftsmanship, and the purest LA kitsch. Shire’s work has been described as post-pottery, postmodern, hypermodern in excess. Memphis was critiqued in its day as the worst kind of garish, and for toying with aesthetic taboos – the very opposite of form follows function. Today, by contrast, it’s become a symbol of high taste, and Shire is sought by collectors around the world.
Peter Shire at Kayne Griffin Corcoran
April 26, 2018
Shire’s collapse of the art object with its functional use is a reminder that most pre-modern art objects have their origin in ritual. From chalices used by European religious orders to African figural sculptures, these objects were used in rituals that connect the participant to a larger social and spiritual worldview: a function that is lost when they are brought into the museum. In a sense, Shire alludes to this loss by making art objects that are used in everyday life, challenging a system where art objects are to be viewed and contemplated but never touched.
Peter Shire at Kayne Griffin Corcoran
April 12, 2018
Kayne Griffin Corcoran presents their spring 2018 programming with Peter Shire: Drawings, Impossible Teapots, Furniture & Sculpture in the Main Gallery.
Peter Shire: 5 design things to do this week
April 2, 2018
Peter Shire, noted local sculptor and ceramicist known for his zany post-modern teapots and his connection to the 1980s Memphis design movement, will be showing some new work at Kayne Griffin Corcoran called “Drawings, Impossible Teapots, Furniture & Sculpture.”
Impossible Teapots: Peter Shire at Kayne Griffin Corcoran, Los Angeles
March 21, 2018
Decorated artist Peter Shire is the subject of an upcoming exhibition in Los Angeles. The unusual exhibition, titled “Drawings, Impossible Teapots, Furniture & Sculpture,” will be presented at the Kayne Griffin Corcoran gallery. The mixed-media show opens on April 5, 2018.